SKU: 31884810266

Roman Constantinian AD 330-340 AE3/4 NUMMUS NGC Rev.Constantinopolis/Victory (5)

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Roman Constantinian AD 330-340 AE3/4 NUMMUS NGC Rev.Constantinopolis/Victory (5)Roman Empire REIGN OF THE EMPEROR CONSTANTINIAN AD 330 340 AE3 4 BI NUMMUS (FOLLIS) OBVERSE: helmeted, mantled bust of Roma left. REVERSE: CONSTANTINOPOLIS GOD VICTORY. CONSTANTINOPOLI, Constantinopolis helmeted, laureate bust left, holding scepter over shoulder. Victory (Nike) standing left, stepping on galley prow, cradling scepter and resting hand on shield; This coin was issued by Constantine the Great to commemorate the founding of the city of



Roman Empire




REIGN OF THE EMPEROR CONSTANTINIAN AD 330-340



AE3/4  BI NUMMUS (FOLLIS)

 


OBVERSE:helmeted, mantled bust of Roma left.





REVERSE: CONSTANTINOPOLIS / GOD VICTORY.

CONSTANTINOPOLI, Constantinopolis helmeted,
laureate bust left, holding scepter over shoulder.

Victory (Nike) standing left, stepping on galley prow, cradling scepter and
resting hand on shield;



This coin was issued by Constantine the
Great to commemorate the founding of the city of Constantinopolis.


The obverse of the coin features a helmeted
goddess while the reverse features a Guardian Angel

By circa 330 A.D., Constantine the Great
completed his new capital for the Roman empire and called it Constantinople
after himself, originally the ancient Greek city named Byzantium. Constantinople
lay in a strategically important location and could be considered the
continuation of the Roman empire in the east until about 1453 A.D. when it fell
to the Ottoman Turks. For this momentous occasion, he issued two coin types
commemorating this event, with one celebrating Rome and the other
Constantinople. The type that commemorated Rome had the personification of Rome,
Roma with the inscription VRBS ROMA and the founders of Rome, Romulus and Remus
on the reverse suckling the mythical she-wolf. The type that commemorated
Constantinople had the personification of Constantinople on the obverse and
Victory on a galley sailing with a shield. This was a great way for Constantine
the Great to pay homage to both Rome and Constantinople as now the Roman empire
had two official capitals.



Constantinopolis, built on the site of the ancient Byzantium by Constantine the
Great, who called it after his own name and made it the capital of the Roman
empire. It was solemnly consecrated A.D. 330. It was built in imitation of Rome.
Thus it covered 7 hills, was divided into 14 regiones, and was adorned with
various buildings in imitation of the capital of the Western world. Its extreme
length was about 3 Roman miles ; and its walls included eventually a
circumference of 13 or 14 Roman miles. It continued the capital of the Roman
empire in the east until its capture by the Turks in 1453.

Constantine I 'The Great' - Roman Emperor:
307-337 A.D.



Caesar (Recognized): 306-309 A.D. | Filius Augustorum (Recognized): 309-310 A.D.
| Augustus (Self-Proclaimed): 307-310 A.D. | Augustus (Recognized): 310-337 A.D.
|



| Son of Constantius I 'Chlorus' and Helena | Step-son of Theodora | Husband of
Minervina and Fausta | Father (by Minervina) of Crispus and (by Fausta) of
Constantine II, Constantius II, Constans, Constantina (wife of Hanniballianus &
Constantius Gallus) and Helena the Younger (wife of Julian II) | Son-in-law of
Maximian and Eutropia | Brother-in-law of Maxentius | Half-brother of Constantia
(w. of Licinius I) | Half-uncle of Delmatius, Hanniballianus, Constantius
Gallus, Julian II, Licinius II and Nepotian | Grandfather of Constantia (wife of
Gratian) |



Constantine the Great (Latin: Flavius Valerius Aurelius Constantinus Augustus;
27 February c. 272 AD - 22 May 337 AD), also known as Constantine I or Saint
Constantine (in the Orthodox Church as Saint Constantine the Great,
Equal-to-the-Apostles), was a Roman Emperor from 306 to 337 AD. Constantine was
the son of Flavius Valerius Constantius, a Roman army officer, and his consort
Helena. His father became Caesar, the deputy emperor in the west in 293 AD.
Constantine was sent east, where he rose through the ranks to become a military
tribune under the emperors Diocletian and Galerius. In 305, Constantius was
raised to the rank of Augustus, senior western emperor, and Constantine was
recalled west to campaign under his father in Britannia (Britain). Acclaimed as
emperor by the army at Eboracum (modern-day York) after his father's death in
306 AD, Constantine emerged victorious in a series of civil wars against the
emperors Maxentius and Licinius to become sole ruler of both west and east by
324 AD.



As emperor, Constantine enacted many administrative, financial, social, and
military reforms to strengthen the empire. The government was restructured and
civil and military authority separated. A new gold coin, the solidus, was
introduced to combat inflation. It would become the standard for Byzantine and
European currencies for more than a thousand years. The first Roman emperor to
claim conversion to Christianity, Constantine played an influential role in the
proclamation of the Edict of Milan in 313, which decreed tolerance for
Christianity in the empire. He called the First Council of Nicaea in 325, at
which the Nicene Creed was professed by Christians. In military matters, the
Roman army was reorganised to consist of mobile field units and garrison
soldiers capable of countering internal threats and barbarian invasions.
Constantine pursued successful campaigns against the tribes on the Roman
frontiers-the Franks, the Alamanni, the Goths, and the Sarmatians-even
resettling territories abandoned by his predecessors during the Crisis of the
Third Century.



The age of Constantine marked a distinct epoch in the history of the Roman
Empire. He built a new imperial residence at Byzantium and renamed the city
Constantinople after himself (the laudatory epithet of "New Rome" came later,
and was never an official title). It would later become the capital of the
Empire for over one thousand years; for which reason the later Eastern Empire
would come to be known as the Byzantine Empire. His more immediate political
legacy was that, in leaving the empire to his sons, he replaced Diocletian's
tetrarchy with the principle of dynastic succession. His reputation flourished
during the lifetime of his children and centuries after his reign. The medieval
church upheld him as a paragon of virtue while secular rulers invoked him as a
prototype, a point of reference, and the symbol of imperial legitimacy and
identity. Beginning with the Renaissance, there were more critical appraisals of
his reign due to the rediscovery of anti-Constantinian sources. Critics
portrayed him as a tyrant. Trends in modern and recent scholarship attempted to
balance the extremes of previous scholarship.



Constantine is a significant figure in the history of Christianity. The Church
of the Holy Sepulchre, built on his orders at the purported site of Jesus' tomb
in Jerusalem, became the holiest place in Christendom. The Papal claim to
temporal power in the High Middle Ages was based on the supposed Donation of
Constantine. He is venerated as a saint by Eastern Orthodox, Byzantine
Catholics, and Anglicans.









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Product Reviews
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Gabriel Cruz
Battle Creek, US
★★★★★ 5
The perspective of Darth Vader between Star Wars and Empire Strikes Back.
Format: Paperback, Format: Paperback
So basically this tells the story of what is going on with Darth Vader after the first Death Star is blown up. He wants to know who it was. Emperor Palpatine is pretty ticked off as it is, and he hasn't said anything but he's already looking to replace Vader in case he fails. Along the way we see still that Vader has some decency still left inside of him, as we meet Doctor Aphra and her droids, and he has a chance to kill her off several times but spares her life for certain reasons. This book collects Star Wars: Darth Vader (2015 Marvel) #1-12, #1 Director's Cut, and Star Wars: Darth Vader (2015 Marvel) Annual #1. The story is written by Kieron Gillen. Art by Salvador Larroca and Leinil Francis Yu
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Reviewed in the United States on March 13, 2025
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Ryan of the East Coast
Draper, US
★★★★★ 5
Source material for Nolan's trilogy is powerful writing and art...
Format: Paperback
The Long Halloween is great, but I actually had more fun reading through Dark Victory. It's a crime mystery that consistently had me guessing through to the conclusion about who The Hangman's true identity was. What I really loved most was the evolution of the characters' personalities--from Jim Gordon to Harvey Dent to Bruce (who really is more in his iconic "Batman" persona here)--that began in Batman: Year One to Batman: The Long Halloween and into Batman: Dark Victory. It really does work like a trilogy. It's also notable to include Gotham city's underworld itself as a character of its own. Batman begins (pardon the pun) in Year One with a quest to sort of rid the city of the mafia, which is and has been the main criminal body up until this point. In The Long Halloween, the mafia begins to lose power because of the rise of the Batman's presence. During that time, some of the most insane and dangerous criminals escape Arkham Asylum and begin quietly terrorizing the city anew, spreading like a virus. Slowly, the "freaks"--as the mafia calls them--start to gain more and more power by simply being a more unorganized crime source (as opposed to organized crime). Characters like Pamela Isley, Solomon Grundy, Mr. Freeze, the Penguin, Scarecrow, the Joker, and others, establish and strengthen their grips on Gotham's criminal underworld. It's nice that these villains--these "freaks"--also aren't the main conflict in Dark Victory (or The Long Halloween or Year One, for that matter); they appear when it is effective for them to appear, slowly taking more prominence in the setting of the story as it progresses. The main conflict has to deal with the solving of the mysteries behind The Hangman killings. The Long Halloween and Dark Victory are, primarily, crime mysteries, which is what makes them interesting. What makes them great literature, however, is the creative team that is Jeph Loeb and Tim Sale. Loeb's writing is really well-crafted here: the entire arc unfolds at a consistent pace and he balances out dialogue with Batman's internal narration very smoothly. And, as I mentioned previously, personality and narrative arcs of the main characters (Gordon, Batman, and Dent) have fully matured by this point in the trilogy, leaving the supporting characters a chance to evolve and come into their own. Much of these progressions are not just depicted by the writing, however; Tim Sale (who worked previously with Loeb on The Long Halloween) elevates and perfects his artwork in this story. There's not a change in the look of the characters, so you know it's definitely his style, but you sense immediately (especially if reading Dark Victory right after finishing The Long Halloween) the new level of attention paid to composition of the drawings. Shadows and silhouettes, contrasts between setting and characters, everything adds to the mood and atmosphere of the characters and the scenes they're a part of. In terms of the print itself, the paperback is excellent. This and The Long Halloween have really nice paper, which I'll catch myself sometimes randomly sniffing in the middle of a read to enjoy the new paper smell. The ink is really crisp, the colors pop, and the design of the book itself is laid out very clearly. There aren't page numbers or a contents page, but every issue is separated by chapter pages that include gorgeous, high-contrast artwork to help distinguish which issue you're on. Additionally, the print comes with an introduction by David S. Goyer, who co-wrote the Nolan film trilogy. Overall, I can't stress enough how gorgeous this trade paperback is and how excellent and top-tier this story arc is. I really enjoyed it just as much, if not more so, then The Long Halloween. No other Batman story arc has topped my enjoyment of this particular trilogy. Highly recommended in addition to Batman: Year One and Batman: The Long Halloween.
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Reviewed in the United States on June 9, 2019
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Verified Purchase
Kris
Natrona Heights, US
★★★★★ 5
I love this comic book!
Format: Paperback, Format: Paperback
I love DC comics and obviously the Batfam are some of the most well known and loved characters within the DC universe. I love the art style and story in this comic. If you are debating whether or not to purchase this comic, DO IT!
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Reviewed in the United States on December 23, 2025
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Alex Lamberd
Belleville, US
★★★★★ 5
One of the best Bat stories that I've read.
Format: Paperback
Coming off from The Long Halloween, Jeff Loeb and Tim Sale give us the sequel to their popular story tale in which we see Batman go at it with another year long mystery, while also giving us an origin story for the first Robin, Dick Grayson. After reading this book, I have come away having with even more love of the Dark Knight's mythology, while coming to see this as my favorite Batman story that I have read, even if it doesn't stand as well on its own. ON the narrative side of things, Loeb delivers a story fairly similar to the one he gave in The Long Halloween, though I feel this one is a bit more polished than Halloween was. Some have said that the retreading of plot structure have limited the way Loeb's later works are read, but I myself have no problem with it (for the most part), Loeb manages to do enough differently that you don't feel like you're reading the exact same story. The real big negative I'd have to give this graphic novel is that it really doesn't stand as well by itself than if you had read The Long Halloween. While I myself read that story before coming in to this one, I did see many connections that I would assume would through off any newcomers who hadn't read the prior story. But I will say that this is the story that had me invested the most emotionally. Without giving away any spoilers, that last page in the novel gave me such a cathartic experience that I really came to appreciate certain aspects of the Dark Knight's mythology, and how themes of loneliness were touched upon in a very genuine way. Looking at the art for the novel, Sale's work has improved much from The Long Halloween. I always mention in reviews concerning Sale that I was originally not a fan of his art, but after going through his work, you can't help but admire the level skill he manages to put in his drawings. There is a very big noir feeling in this novel (a plus for ) that is just delivered so well that any preferences in art I may have against Sale are put away in admiring the way he plays with lighting in the story. My biggest complaint for the art, which is a more of a personal thing really, is that I do not like the "pixie" costume they gave Robin (which is his default costume that many would associate him with). I have never really liked this costume, probably never will, but again, this is just me. Overall, I would say I really enjoyed the novel and would have to recommend it to any fans of the Batman (although I'd make sure you have read The Long Halloween first). This has come to be one of my most favorited Batman stories I've read, and I hope others will receive the same level of satisfaction that I have.
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Reviewed in the United States on April 22, 2014
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Logan Fogg
Whiting, US
★★★★★ 5
MUST READ
Format: Kindle
Best Batman! This and the long Halloween are peak! Listening and reading the dc high vol on spotify is amazing
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Reviewed in the United States on October 16, 2025

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